30″ Long Safety Cable – 1/8″ Diameter

Safety cables are recommended when supporting lights, cameras or accessories from the ceiling, boom or elevated location in case they unexpectedly come loose from where they are mounted. They are essential inexpensive safety equipment. You should always use a safety cable when you are rigging any lighting fixtures from the ceiling such as a pipe grid. You can also use one if you are rigging a light on a boom and secure it to the boom itself with the help of a Convi Clamp as you will see in the video.

30" Safety Cable - 1/8" Diameter(KG060912)

30″ Safety Cable – 1/8″ Diameter (KG060912)

For more information and technical specifications, check out the product page.

Not only do they protect your talent and production crew that may be right underneath a hot lighting fixture or strobe by chance if it comes crashing down, but as a bonus, it also gives you peace of mind.

Never Let Go!


Michael Corsentino – Kupo Pro

It’s my privilege to introduce you to Michael Corsentino, one of our professional Kupo shooters. As you will see in his bio, besides being an awesome photographer, Michael is also an educator, author, speaker and a truly great guy who is more than willing to share his vast experience. Michael contacted me a little while ago looking to outfit himself with some grip gear for an upcoming project he is working on and I was more than happy to help! After Michael had some time to play with his new Kupo gear, he kindly expressed his feelings about Kupo Grip equipment:

“Kupo stands and grip equipment are my rock solid partners in the studio and on location. No slipping or creeping on these babies! Kupo’s unparalleled build quality keeps my clients and equipment safe, secure, and gives me the peace of mind I need.”

Michael Corsentino



Michael Corsentino is an award winning contemporary wedding and portrait photographer, Adobe Photoshop & Adobe Lightroom expert, author, speaker and workshop leader based in Northern California. Shooting digitally since 1999, he made his first exposure when he was 12 years old and hasn’t put his camera down since.

His 30 year love affair with the magic and science of photography is more passionate today than ever. Stylish, dramatic, edgy and modern images set Michael’s photography apart. His award winning blend of photojournalism, fashion and editorial styles have made him an in-demand portrait and destination wedding photographer.

Equally passionate about educating, Michael loves to share his lighting and posing secrets, post processing techniques, time saving workflow strategies and shooting philosophy with other photographers during his inspiring workshops and speaking engagements.



To see more of Michael’s work or to find out more information, visit his website.

Kupo Grip – Never Let Go!



Light Stands in Depth – 2 of 4

Light Stand Safety

Proper Stand Set-Up

To properly set up a light stand you want to keep these “best practice” rules in mind to protect your equipment from damage and to prevent injury.

  1. Make sure that the leg braces are always parallel to the ground so that the footprint is at it’s widest for maximum stability. If using a light load on a heavy-duty stand, the legs can be partially opened or “cheated” so that the footprint is smaller.
  2. Make sure that all knuckles (knobs) are secured tightly. All knobs include the knobs on the base, the riser section knobs and the locking knob for the light fixture itself. This is extremely important to avoid damaging equipment and the serious injury that can result from for heavy loads falling.
  3. All knobs should be in line so that they are easy to find without visibly looking for them.
  4. If lifting a very heavy load, be sure to get some help to raise that load to prevent injury. Usually one person will lift with both hands on the risers while the other will help raise the load and lock off the knobs once at the desired height. Getting help is also essential for mounting heavy loads above ones head onto the stand.
  5. If a riser section starts to fall unexpectedly, and the load is too heavy for you to handle on your own, back away quickly and don’t try to catch the falling load as it could lead to severe injury.
  6. Be sure to use plenty sandbags to secure your load. In high wind or high (foot) traffic situations you may want to use additional sandbags for extra safety.
  7. Do not use a stand if it is damaged in anyway. If you discover a stand is damaged, mark it with tape and make sure it is properly repaired before the next use.
  8. Safety on set is always top priority and equipment your not familiar with, should only be handled by experienced professionals.

Proper Stand Break Down

  1. To properly break down a light stand, make sure all knobs are in line so that the next person to use it won’t have to search for them.
  2. Make sure all knobs are secured tightly. This is vital to protect the grip from loose risers that may extend unexpectedly and cause great harm from passing the stand to and from the grip truck, especially when the risers are right at eye level!

Sand Bags

  1. A sand bag is a what’s known as a “Silent Grip” because it does its job efficiently without any complaints!
  2. Sand bags are necessary safety items. They prevent light stands from tipping over, provide a down and dirty place to support a camera and also act as counterweights for booms.
  3. They come in many different sizes and weight capacities. Common weights are 15, 25 and 35lbs. They are filled either with sand or lead shot and come pre-filled or have zippers or Velcro as closures so you can fill them yourselves.
  4. You always place your sandbags on the leg of a C Stand so that it is not touching the ground and gravity is affecting it. If you have people, especially little people (children) in your studio, a sand bag can prevent them from knocking down an expensive lighting fixture or worse causing injury to themselves or others.

Check back soon for a short video that will illustrate the safety features that were mentioned in this post. 

Never Let Go!